Concerts in Keswick: SEASON 2024-25

The upcoming 2024-2025 season is the 77th season of the Keswick Music Society, with a programme of 6 concerts at St. John’s Church Keswick

All concerts begin at 7.30pm

PIVA-The-Renaissance-Collective

PIVA The Renaissance Collective

December 7, 2024 @ 7:30 pm
PIVA are one of the UK’s leading early music ensembles. Playing an array of over 40 period instruments, their fresh, innovative and energetic approach has captured the imagination of audiences wherever they perform. We are delighted to welcome them back to Keswick.

This December PIVA will help ease you into the Christmas spirit, celebrating the Yuletide season by performing seasonal music and songs from Tudor and Elizabethan times. Winter in the 16th century could be harsh, but the Twelve Days of Christmas were filled with feasting, music, dancing, singing and revelry. PIVA will be capturing a flavour of that era, playing and singing music of the period and telling tales from the time.

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Korros

Korros Ensemble

February 1, 2025 @ 7:30 pm
Eliza Marshall, flute, Nick Ellis, clarinet and Camilla Pay, harp

D. Scarlatti Sonata in D Major K.96 no.465
C. Debussy 2 Arabesques
E. Poston Trio for flute, clarinet & harp
C. Saint-Saëns Tarantella Op.6
E. Marshall On Butterfly Wings
D. Brubeck Two Pieces
A. Khachaturian Adagio from Spartacus
G. Bizet Carmen Rhapsody

The Korros Ensemble performs with dynamism and flair, and the sound world they produce is lush and mesmerising. With a vision of introducing something new and original to the chamber music world, Korros continue to cleverly rework their favourite repertoire, creating an exciting and fresh way of listening to beloved orchestral, chamber and solo works.

Camilla, Nick and Eliza are highly experienced and in demand artists, having individually performed with all major UK orchestras

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Kosmos-Trio-opt

Kosmos Trio

March 1, 2025 @ 7:30 pm
Harriet MacKenzie, violin, Meg Hamilton, viola and Milos Milivojevic, accordion

Kosmos are re-defining the relationship between classical and world music. Scottish, Jewish and Greek music glide into hot-blooded tango and Asian melodies, referencing classical composers including Corelli, Piazzolla and Sarasate, performed with fearless improvisation and impeccable technique. Prepare to be intoxicated by entrancing dance rhythms, soulful improvisation and gypsy passion delivered with inimitable panache and “telepathic rapport, dazzling virtuosity, serious scholarship, intellectual curiosity and impeccable musicianship” according to Richard Morrison, chief music critic of The Times. Great communicators, Kosmos will introduce their programme on the night. All three members of Kosmos are soloists in their own right and have recorded concertos with the Royal Philharmonic Orchestra, English Symphony Orchestra, Orchestra Nova among others to great critical acclaim.

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Emmanuel-Bach

Emmanuel Bach, violin and Jenny Stern piano

April 5, 2025 @ 7:30 pm
Beethoven – Sonata for Piano and Violin No.9 in A
Sonata for Piano and Violin Op.47 ‘The Kreutzer’
Peter Fribbins – Sonata for Solo Violin (2011-12)
Kreisler – Liebeslied & Gypsy Caprice
Grieg – Sonata No.2 in G, Op.13
Ysaÿe – Caprice d’après L’Etude en Forme de Valse de C. Saint-Saëns

This concert is a chance to hear a true virtuoso violinist who won the Royal Overseas League String Competition 2018. Emmanuel is rightly gaining increasing recognition as an exceptional soloist, and as a chamber musician. Recent performances include recitals at Wigmore Hall and St. Martin-in-the-Fields, and a live-streamed masterclass on the Brahms Concerto with Maxim Vengerov. He is accompanied by South Africa born pianist Jenny Stern, a superb accompanist and chamber musician. She has recorded extensively for radio and television, gives masterclasses at venues including Dartington Summer School of Music, and teaches at the Royal College of Music. Their interesting and varied programme includes masterworks by Beethoven and Grieg, delightful miniatures by Kreisler, as well as pieces by Ysaye and Fribbins – two composers whose work deserves to be heard much more widely.

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